Gold standard.
Marc-André Hamelin with the Academy of St. Martin in the Fields
The New York Times, April 10, 2008
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Score Card
- An everyman for himself
- Aworks
- Cafe Aman
- Chicago Classical Review
- Classical Convert
- Classical Life
- Classical Musings
- Counter Critic
- Creative Destruction
- Deceptively Simple
- Dial "M" for Musicology
- Feast of Music
- Felsenmusick
- Holde Kunst
- Ionarts
- Iron Tongue of Midnight
- Jessica Duchen
- Listen.
- Mass Culture Mozart
- Mind the Gap
- Monotonous Forest
- Musical Assumptions
- Musical Perceptions
- Mysteries Abysmal
- Nimble Tread
- On a Pacific Aisle
- On an Overgrown Path
- Out West Arts
- PostClassic
- Renewable Music
- Roger Bourland
- Sandow
- Sequenza 21
- So I've Heard
- Soho the Dog
- Sounds & Fury
- South Florida Classical Review
- The Classical Beat
- The Detritus Review
- The Omniscient Mussel
- The Rambler
- The Rest Is Noise
- The Standing Room
- The View from Here
- Tonic Blotter
Prompter's Box
Players
- Alex Shapiro: notes from the kelp
- Analog Arts Ensemble: ANABlog
- Anne-Carolyn Bird: The Concert
- Brian Sacawa: Sounds Like Now
- Chris Becker
- Classical Pontifications with Professor Heebie McJeebie
- Darcy James Argue's Secret Society
- Dave Douglas
- David Gerstein: OhMyTrill
- David T. Little: Music As Weapon?
- David Toub: David's waste of bandwidth...
- Eighth Blackbird: thirteen ways
- James Roe: Urban Modern
- Jeremy Denk: Think Denk
- Joseph Hallman: jhallmanmusic
- Joyce DiDonato: Yankeediva
- Marcus Maroney: Sounds Like New
- Miguel Frasconi: Well-Weathered Music
- Patrcia Emerson Mitchell: Oboeinsight
- Rinat Shaham: Singin'rin
- Taylor Ho Bynum: SpiderMonkey Stories
- The Bad Plus: Do the Math
- Tom Meglioranza: Meglioranza.com
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