Felicity Lott and Graham Johnson at Zankel Hall
The New York Times, May 12, 2008
Resources
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- The Standing Room
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Prompter's Box
Players
- Alex Shapiro: notes from the kelp
- Alexandra Gardner: Building Noises
- Analog Arts Ensemble: ANABlog
- Anne-Carolyn Bird: The Concert
- Brian Sacawa: Sounds Like Now
- Charles Noble: NobleViola
- Chris Becker
- Cornelius Dufallo: Urban Modes
- Darcy James Argue's Secret Society
- Dave Douglas
- David Gerstein: OhMyTrill
- David T. Little: Music As Weapon?
- David Toub: David's waste of bandwidth...
- Eighth Blackbird: thirteen ways
- James Roe: Urban Modern
- Jeremy Denk: Think Denk
- Joseph Hallman: jhallmanmusic
- Joyce DiDonato: Yankeediva
- Marcus Maroney: Sounds Like New
- Miguel Frasconi: Well-Weathered Music
- Patrcia Emerson Mitchell: Oboeinsight
- Rinat Shaham: Singin'rin
- Taylor Ho Bynum
- The Bad Plus: Do the Math
- Tom Meglioranza: Meglioranza.com
The problem with Lott, in my book, is that she always sings with unusual restraint, to the point that it becomes quite usual restraint.
Posted by: Maury D'Annato | May 15, 2008 at 05:17 PM