Originally published by National Sawdust Log on Sept. 30, 2016.
David Lang: the loser
Presented by BAM Next Wave Festival
Howard Gilman Opera House, Brooklyn Academy of Music, Brooklyn, NY
Reviewed on Sept. 9, 2016
By Steve Smith
Photographs: Richard Termine
If you’ve followed the career of David Lang, the Pulitzer Prize-winning composer and co-founder of the revolutionary activist new-music collective Bang on a Can, for any significant amount of time, you might…umm…worry just a little bit. Not about his talent, originality, or capacity for innovation, certainly. But if you’ve been around from near the start, you kind of have to wonder about Lang’s seeming preoccupation with cruelty, extending from early works up to the loser, the 60-minute opera for solo baritone, piano, and small ensemble presented in its world premiere at the Brooklyn Academy of Music’s Howard Gilman Opera House Sept. 7-11.
Okay, I’m kidding—I’m not actually concerned about Lang, a friendly and generous member of the musical community. Still, it’s hard to overlook the darkness that runs through several of his prominent works. Remember the unsettling start of his 1987 piece Are You Experienced? “Hello, I’m David Lang,” the composer recites, deadpan. “I know you were looking forward to hearing this piece, but something terrible has just happened. While we were busy setting up, someone crept up silently behind you and dealt a quick blow to the side of your head.”
What follows is droll, clinical, and morbid by turns, set to some of Lang’s most insouciant, peppy music. Further examples would follow: the ominous mystery of the difficulty of crossing a field, the chilly anguish of little match girl passion, the amorous torment of love fail, the livid guignol of anatomy theater. Lang seems fascinated by dark matter, responding with settings that are not just provocative, but also distinct, individual, and strikingly empathetic.
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